Showing Records: 21 - 27 of 27
Rhinozeros. No.10 / Klaus-Peter Dienst, Rolf-Gunther Dienst, editors ; Dohl R ; Creeley R ; Schauffelen KB ; Dienst KP ; Dubuffet J ; Gysin B ; Ulrichs T ; Bezzel C., 1965
This issue, No.10, as well as No.9, present the most highly experimental calligraphic texts of the ten issues in the run. In several instances, the calligraphers have designed new alphabets for the texts. -- Source of annotation: Marvin or Ruth Sackner.
Serif. No.3/Fall / Kindersley D., 1995
Includes an article on the differences in Caslon fonts distributed by various font houses. -- Source of annotation: Marvin or Ruth Sackner.
[thank you] / Goldfarb, Joanne., 2006
This is a note of thanks for a brunch and tour of the Sackner Archive. Joanne Goldfarb accentuated the letter V in her note. -- Source of annotation: Marvin or Ruth Sackner.
[The Getty Center] / Baker, Jan., 1992
Baker's calligraphic rendering of the Getty Center's goals covers one side of this experimental, typographically designed brochure and bleeds through to the other side which has printed text. -- Source of annotation: Marvin or Ruth Sackner.
Treasury of Calligraphy; 219 Great Examples, 1522-1840 / Tschichold, Jan, editor., 1984
[Wedding Invitation] / Karsch, Benjamin; Sharabi, Liat., 1997
This is an invitation to the wedding of Ruth Sackner's nephew in Israel designed by the artist calligrapher, Denni Ann Gershaw. One sheet on parchment paper is designed with the Hebrew letters Lamed and Vav, the first initials of the bride Liat and the groom Benjamin. These two letters also spell "heart" in Hebrew and it is the first word from a quote from the Book of Psalms which is written in calligraphy around the two letters. This motif is repeated on the second sheet, the actual wedding invitation, as an under printing. -- Source of annotation: Marvin or Ruth Sackner.